Anyway, here are some examples of grammatically correct agreement between the sexes in French: the past participant is often used in compound time with auxiliaries “tre” or have, like narrative time: I ate or I went out. Read our article on the agreement of past participants. It also occurs when one subject is real and the other is useful for comparison or exclusion: then the agreement is with the subject itself. However, if the subject is the indirect object of the verb rather than the direct object, there is no correspondence – you will know more. The collective nouns (collective names), although singular, convey the idea of several entities (a group, many…); In the same way, we can refer to a fraction of a group using broken words (half, part of…). So, in cases like this, we decide to make the agreement with the collective /group Nostantiv, or to complete them? The verb chord in tensions and moods is probably the most difficult – take a look at the verb chord for details. One of the things that the French language sometimes tries to do is the agreement. Concordance between sex, number and person between subjects and verbs, adjectives, substants, articles, pronouns, etc. Today we are talking about the first type. Of course, the French language and culture have many contradictions.
For example, we prefer to say “you and him” rather than “him and you,” because the second is a bit of a jaw-breaker:) For example, all subjects may express the same idea or express possible choices. The agreement is made on the subject closest to the verb. The agreement with the pronoun verbs is less simple. In general, since pronoun verbs use “tre” as auxiliary verbs, they must be approved with the subject. In French, the old participations in tensions and composite moods must sometimes correspond to another part of the sentence, either the subject or the direct object. It`s a lot like adjectives: If an agreement is needed, you have to add e for feminine themes/objects and s for the pluralist. The verb chord can be divided into five categories. As with the verbs of Being, all conjugations of passive voices require a match with the subject. The verbs which, as a verb helping in the times and the composite moods, require the question of a “tre” require, in all these conjugations, consistency with the subject. If the verb has themes from different people, agree as follows: You and I love French cuisine.
(You and I love to cook French.) 2. Person – 1. Subjects take `us` My husband and I love cinema. My husband and I love going to the movies. 3. Person – 1. No one the themes take `us` Your husband and you like art exhibitions. (You and your husband love art exhibitions.) 3. Person – 2.
The subjects of the person take “you” Note that in the first sentence, the subjects of the second and third verb are not expressed to avoid repetition, but the agreement nevertheless occurs the same thing.